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The notoriously slippery, happily reclusive artist quinn opened up her world last summer in the lead-up to her sophomore album, quinn, begrudgingly submitting to the conventions of the press cycle. This move from the shadows of internet cult fandom into the harsh light of day yielded valuable insight into the 18-year-old DMV native’s background and process (look no further than her FADER Interview with Jordan Darville for some deep-cut gems).
Since the release of the latter record, however, she’s returned to her old ways, dropping short-form releases without warning as she did in her salad days under several different monikers. The latest of these, slaps, is three short-and-sweet tracks (though relatively long by quinn’s terms) that lean into the hip-hop elements of her pan-genre pallette. She opens with “thraxxxxxxxxxxxxxxxxxx,” a song designed to make you worry on the dance floor, before moving into “longterm drugstory,” in which she affects a detached irony toward her subject matter that’s somehow even more panic inducing. She carries this depressed nihilism into the tape’s closer, “sheet of acid,” but the desperation underneath it is clear to anyone who’s listening closely.
These contradictory statements are part and parcel of quinn’s schema for slaps, which she graciously broke down for The FADER via email. Find the story behind the project’s basement cover art and detailed explainers for all three tracks, in quinn’s own words, below.
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Courtesy : https://www.thefader.com/2023/06/23/quinn-slaps-interview